Finding ones voice means finding ones own technique. An artist’s job is to experience technique as one would a buffet: try everything. If it tastes good, swallow it. If it is not right for you, spit it out. What is ultimately your technique should be what works for you, personally. If you are like most artists of innovation, this technique will be a patchwork of many influences–not just one approach from one or two institutions.
Technique represents a series of tools that generate a result and technique liberates art. The more talent one has, the more technique one needs. But, technique is meant to be learned and then forgotten. The function of technique is to give an artist a starting point and then a sense of freedom. It can also serve as a fallback measure when all efforts seem to be failing in the creative process.
How does one find their unique voice? The mastery of technique helps. Mentors can help, but it is ultimately found via ones’ self. It requires experimentation, personal meditation, assessment and practice. The individual artist must discover it themselves.
Here are some tips I have found useful in discovering my own artistic voice:
- What do YOU love? As Jung said, “The creative mind plays with the objects it loves”. Don’t approach answering this question, based on what you think you SHOULD love. What do you love? Joseph Campbell, the famed mythologist, would call this your “bliss” and would encourage you to “Follow your bliss.” What do you most like to think about? What gives you joy? What ideas do you like to play with? What thoughts cause you to lose track of time?
- What type of artist do you want to be? What audience will you serve? What will your medium be? Will you be politically oriented? Will you dedicate your energy to the classics? Will you serve as a bold visionary?
- Make Choices. The blank canvas and the sheer number of choices available overwhelm many artists. Just make choices. You can always change them later. Make a choice and then make another and then another, etc.
- Know your history. Unless you know what has been done in the past, you are likely ignorantly imitating forms of past and present. If you know what has been done, you know if you are doing something new.
- Surrender a need to be “right” and “good”. Ibsen was not “Ibsen”, prior to years and years of personal development. Greatness comes with time. Give yourself time. Remember: There is no right and there is no wrong. There is only what you create. What you create today will likely be different from what you create tomorrow. So, forgive yourself if you appear to be an ugly duckling at first. Most first efforts are not products of genius.
- Steal from greatness. Nobody creates on an island. We are each products of experience and external influence. There is nothing truly original and all ideas are a mixture of other people’s ideas, whether we consciously realize it or not. So, if you see your heroes doing something stunningly effective and you would like to play with that idea, choice or medium, pinch it. Who are your heroes? What about them inspires you? If you are into a particular artist, what about that artist makes your heart race? Be specific. Make note.
- Have courage. Most peoples social programming (what they have been taught is right and wrong, their social values and what they are told to do and think they “should” be doing) gets in the way of freedom of expression. We need to access our stream of creative impulses (as crazy, dark, weird or foreign as they may be) and to follow those without fear or judgment. Don’t judge your choices, as this is a form of self-censorship and does not lead to artistic freedom.
- Synthesize your interests. Do you have numerous interests and talents? Do you find you struggle to dedicate your energies in just one area, which causes you to neglect your other interests or passions? Find ways to synthesize those varied interests. In doing so, you will feel more whole as an artist and person.
- Play with your ideas, as a child plays with a new toy. Experiment. Jump off the cliff and see what your ideas generate. But, if you are truly experimenting, know what the experiment is and use a scientific-type structure. Otherwise, you are just “playing experiment.”
- Allow your freak flag to fly. New ideas are typically, at least at first, rejected by the general populace. The more innovative and different the idea, the more rejection the creator will likely receive…until it is proven successful. Then the idea will be embraced by all as common sense.
Finding your unique expression, form, medium or aesthetic as an artist will lead towards greater originality, potential innovation, potential happiness and artistic satisfaction.
If you would like to use these games in your own classroom, please do! If you do, let me know how how it goes and if you have suggestions for modifying a game.
I can be reached at firstname.lastname@example.org.
Find Your Artistic Voice by James David Hart is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.